Whitney Houston鈥檚 voice was one of a kind and the of the singer had no choice but to agree.
Naomi Ackie, who plays Houston in turns in a fierce performance but is asked to lip-sync throughout to Houston biggest hits. The effect is, at best, an expensive karaoke session.
The dilemma that Houston's own prodigious gift put everyone in is understandable: The chances of finding someone who resembles the singer is hard enough; finding someone who also has the awe-inducing, fluttery vocal ability is a fool's errand.
But the solution would have been choosing between focusing on Houston's story or making a documentary that features her singing. It's unfair to ask Ackie to act her heart out and also have her execute large parts of Houston's iconic live performances in mimic mode. It's an uncanny canyon.
The movie is written by Anthony McCarten, who told Freddie Mercury's story in 鈥淏ohemian Rhapsody鈥� and is having quite a moment with two shows on Broadway 鈥� 鈥淭he Collaboration鈥� about artists Andy Warhol and Jean-Michel Basquiat a musical about Neil Diamond. McCarten clearly has impressed producers with an ability to tell the stories of modern icons but with Houston the hook is, well, business pressure.
鈥淚 Wanna Dance With Somebody鈥� is more like a hyped-up 鈥淏ehind the Music鈥� episode set to Houston's greatest hits album. It leans on all the cliches: overbearing parents, bad-boy boyfriends and giddy, champagne-popping montages on the way up and sullen montages on the way down as she's hunted by paparazzi.
Houston is portrayed as a woman who seizes her destiny only late in her cut-short life after struggling with the burden of being the family breadwinner for most of it.
鈥淓veryone is using me as an ATM!鈥� she screams at one point.
Stanley Tucci plays a subdued and concerned Clive Davis 鈥� the record executive helped produce the film and comes off like a prince 鈥� and Nafessa Williams is superb as Houston's best friend, manager and lover.
McCarten frames the climax of Houston's life at the 1994 American Music Awards, where she won eight awards and performed a medley of songs. It is where camera starts and ends, part of an excruciating final section goodbye to the icon that lasts for what feels like an hour and ends with a heavy-handed, written statement that Houston was the 鈥済reatest voice of her generation.鈥�
Credit to the Houston estate for not sanitizing Houston's life, showing her early love affair with a woman, her pushy, demanding parents, the backlash from some in the Black community and not shying away from the descent into drugs that
鈥淭o sing with the gods, you sometimes need a ladder,鈥� Houston rationalizes in the movie.
Some highlights of the film include Houston and Davis picking hit songs in his office and the recreations of the filming of the video 鈥淗ow Will I Know鈥� and Houston's triumphant national anthem performance at Super Bowl XXV. Costume designer Charlese Antoinette Jones has joyously remade key looks, from Houston's hair bow and arm warmers to the stunning wedding dress with beaded and sequined cloche hat.
Less well-realized is the section exploring her filming of 鈥淭he Bodyguard鈥� 鈥� the filmmakers try to pass off an old clip of Kevin Costner on the set, a trick they try again later with Oprah 鈥� and the portrayal of husband Bobby Brown is not nuanced, leaving him the clear villain of the piece. Lemmons ("Harriet") also uses a recurring image of a faucet dripping, a graceless way of foreshadowing her death.
Ackie's performance is something to be cheered, reaching for the the kind of authenticity that Andra Day channeled when she also tackled a doomed musical icon in
But so much clumsiness, scenes featuring unnaturally heightened drama with little insight and the compromised authenticity of the performances drag 鈥淚 Wanna Dance With Somebody鈥� down 鈥� ultimately, it's not right but it's just OK.
鈥淚 Wanna Dance With Somebody,鈥� a Sony Pictures release exclusively in theaters Dec. 23, is rated PG-13 for 鈥渟trong drug content, some strong language, suggestive references and smoking." Running time: 146 minutes. Two stars out of four.
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MPAA Definition of PG-13: Parents strongly cautioned. Some material may be inappropriate for children under 13.
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Mark Kennedy, The Associated Press
