PARIS (AP) 鈥� It was as much art fair as fashion show for Stella McCartney, who put on an art-infused spring collection at Paris Fashion Week on Monday vibrating with flashes of color.
Iconic Japanese contemporary artist Yoshitomo Nara collaborated on the designs showcased outside the Pompidou Center Modern Art Museum, while sculptor Jeff Koons casually popped in to say 鈥榟ello鈥� to McCartney post-show across an atelier of world-famous sculptures by Constantin Brancusi.
McCartney鈥檚 eco-conscious display also pioneered the use of regenerative cotton.
Here are some highlights of the spring-summer 2023 collections in Paris:
STELLA GOES ARTSY
A yellow, red and blue carpeted runway dazzled VIP guests for designer Stella McCartney鈥檚 fashion show in the outdoor courtyard of Paris鈥� Pompidou Center 鈥� a set created in homage to the art museum鈥檚 famed colored, structuralist exterior in the background.
This vibrancy continued in the spring fare that was typically fluid and sporty, with moments of bright color.
This season, chic garments such as asymmetrical white mini-dresses cut on the bias, or tight pink scuba tops with a scooped side silhouette, were the canvas for Nara鈥檚 vivid imagination. On the front of them, the Japanese artist created striking images of big-eyed girls and children in animal costumes, which the house described as 鈥渟inister.鈥�
The most-fun looks were in all-out color, such as a stiff chalky yellow scuba top and pant look accessorized with bouncy black flip-flops and a blown up handbag. That cut a fine look against the bright yellow catwalk and had fashion insiders reaching for their cameras.
ECO-MCCARTNEY MAKES REGENERATIVE COTTON
Speaking backstage after greeting her supportive Beatles father Paul McCartney, the designer said she was 鈥渃huffed鈥� that this spring collection set a house record for being 87% sustainable.
鈥淚t鈥檚 my most sustainable yet. I hope nothing was sacrificed; you shouldn鈥檛 see any of the sustainability 鈥� it should still look luxurious,鈥� she said.
It鈥檚 no secret that fashion is a highly wasteful industry. Since her house was acquired by luxury giant LVMH, McCartney has also taken up a lobbying role inside the company to push it in a more ecological direction.
This season, one of the fruits of that role appeared on the runway. The designer said LVMH paid for a three-year pilot to make regenerative cotton 鈥� grown in ways that maintain the health of the soil. She said the process 鈥渃aptures carbon in the soil鈥� and 鈥渆ncourages nature, as opposed to destroying it with pesticides.鈥�
Elaborating on her advisory role, McCartney described it as bringing a 鈥減ositive impact,鈥� especially having CEO Bernard Arnault on the front row seeing up close the success of her eco-friendly ready-to-wear.
鈥淗e鈥檚 not stupid 鈥� it filters in,鈥� she said. 鈥淗e can look at all of those bags and all of those shoes and all of those non-leather jackets. And he can compare between his other houses and see that there is no sacrifice visually.鈥�
McCartney鈥檚 initiatives are being seen as transformative and influential to the fashion industry as a whole.
THOM BROWNE鈥橲 MING FOOTBALL
It was Versailles meets the Ming Dynasty 鈥� via American football 鈥� for U.S. designer Thom Browne鈥檚 eccentric but luxuriant ready-to-wear treat.
Since Stella McCartney鈥檚 show moved on from her regular Paris Opera venue, the space was open for Browne -- whose floor sweeping, silken A-line gowns regally ushered past guests Monday inside the ornate and gilded salons.
鈥淕ame of Thrones鈥� actor Gwendoline Christie 鈥� famous for being nearly 6 feet, 3 inches tall 鈥� was fittingly chosen to open the collection in a giant, fastidiously embroidered Asiatic crossover gown-coat. Leather spiderman gloves, with which she clutched a metal rod, added a kink.
Browne鈥檚 spring mantra was surely 鈥渕ore is more.鈥�
Diagonal pointed eyebrows seemed like a take on Asian period garb. Features such as that clashed stylishly with white American football stripes and numbers -- like a big 鈥�19鈥� -- emblazoned on the back of silken gowns.
Collars were blown up in Peter Pan styles, leading the eye down to tiered and truncated silhouettes, voluminous Juliette sleeves, generous whooshes and ripples of fabric 鈥� and even polka dots.
The show also featured Brown鈥檚 signature red, blue and white stripes --- blown up almost like a limp parachute. Again, Browne鈥檚 intentional design repertoire creates infinite variations on the same theme.
YE-VERYWHERE
Kanye West, now known legally as Ye, has been everywhere this Paris Fashion Week. First he walked as a model in Balenciaga鈥檚 ready-to-wear show -- a turn designer Demna Gvasalia called an 鈥渋conic moment.鈥� Then the rapper was since seen at Givenchy鈥檚 collection facing the rain and wearing a provocative Balenciaga-branded black tooth brace.
While on Monday, Ye held a last minute, rather exclusive, show with 100 guests of which 鈥� according to organizers 鈥� 鈥渁 big part (was made up) of Ye鈥檚 friends.鈥�
Ye was criticized by some on social media following the show for being photographed at his Yeezy collection wearing a 鈥淲hite Lives Matter鈥� T-shirt.
LANVIN IS SALEABLE
Bruno Sialelli was in a more low-key mood than usual in the saleable spring collection featuring neat, unfussy looks that on the whole packed no surprises -- like an alabaster tuxedo jacket with square shoulders and fraying hems, or a ruched medieval-style top with tubular sleeves.
The creative energy luckily picked up toward the end of the co-ed show.
A great series of corset-cum-lingerie silk babydoll looks in pastel shades were the highlight and played with the idea of transparencies. They were accessorized with bejeweled sheer fabric in the shape of a cloche hat that covered the model鈥檚 face -- and to help her see even less, under that Sialelli added shades.
After several years in the fashion wilderness, France鈥檚 oldest continually operating fashion house continues to have a spring in its step with the renewed direction of this French designer.
Thomas Adamson, The Associated Press
